GOT A

THOUGHT?

GIVE IT

SOME ROOM.

A few lines can be the start of something.

Start with a thought. The details can follow.

IDEAS WITH A
WILD SIDE.

Portable radio on a green upholstered seat
A little offbeat.
Green sneakers against a green wall
Made to stand out.
A curling strip of photographic film
A fresh point of view.
FRESH EYES / ORIGINAL IDEAS / FRESH EYES / ORIGINAL IDEAS / FRESH EYES / ORIGINAL IDEAS / FRESH EYES / ORIGINAL IDEAS / FRESH EYES / ORIGINAL IDEAS / FRESH EYES / ORIGINAL IDEAS / FRESH EYES / ORIGINAL IDEAS / FRESH EYES / ORIGINAL IDEAS /

A different point of view.

A good idea makes you look twice. We turn that spark into identities, websites and objects with a character of their own.

Portable radio on a green upholstered seat
Close detail of a ribbed green leaf
Cracked concrete illuminated in electric green
Turquoise mesh wrapped around architectural scaffolding
A curling strip of photographic film
Green sneakers against a green wall

Good thinking. Made tangible.

From the first question to the final detail, each part helps the next one make sense.

From thinking to making.

Brand Strategy
Find the idea, the angle and the reason to care.
Brand Identity
Give your brand a distinctive look, voice and personality.
Web Design
Turn your story into a digital experience that feels right.
Illustration
Add character with images that could only belong to you.
Motion Design
Make your identity move with purpose and personality.
Packaging Design
Give a good product a memorable first impression.
Art Direction
Keep every detail moving in the same creative direction.

A MIND OF
OUR OWN.

Find the interesting bit.

A small observation can open up a whole new direction. Look beyond the obvious, follow the detail and leave space for a useful surprise.

Start with a better question.

Curiosity, principle 1 of 5

A few good questions.

A green radio resting on a striped blanket

Start with what you are making, who it is for and what needs to change. A few clear sentences are more useful than a long list of deliverables.

With a point of view. The purpose, audience and personality give the visual choices somewhere to come from.

Yes. Start by identifying what people already recognise and what no longer fits. Keep the useful foundations and make the changes intentional.

A shoe, a radio or a roof can reveal a useful combination of colour, rhythm and texture. Looking outside the immediate category makes room for unexpected ideas.

They are photographic references grouped around colour, texture and mood. Each pairs two images to explore a different visual connection.

Describe what you notice, how it feels and how it relates to the brief. Specific observations create a clearer next step.

The underlying character. Type, colour, imagery and motion can flex while still sounding like parts of the same conversation.

No. Distinctive can be quiet, direct, warm or wonderfully odd. The right level of expression comes from the idea and the people it is for.

They turn a static visual language into an experience. Structure, words, movement and interaction should all support the same point of view.

Use Start a brief to write down the idea and choose a direction. You can copy or download the result when you are ready to take it further.